Its name alluding to the chemical symbol and atomic number for sulphur in physics, S16 questions matter itself what are our cells, our hearts made of? Where is the boundary between reality and fiction? Sulphur is, indeed, an essential element for living things, but liable to burst into flames. S16 was recorded at Abbey Road Studios in London, and other locales including Berlin, Paris, Los Angeles and Iceland, also calling upon Tokyo’s Suginami Junior Chorus to find just the right opening for one particular passage. “Pale Yellow” followed in June with a 180 degree swivel into introspective meditation on intimacy and struggles to overcome trials both mental and physical, and was lauded by UPROXX as “a promising taste of what’s to come from the long-awaited new album.”Īs indicated across the musical and emotional spectrum of “Horizons Into Battlegrounds,” “Pale Yellow” and “Goliath,” S16 questions the notion of scale, from infinitely large to infinitely small, the balance of forces between human and industrial, and the idea of collective and individual responsibility for bringing a world to the verge of breakdown. “Goliath” was quickly named one of TIME Magazine’s Best Songs of April, as well as one of ROLLING STONE’s Songs You Need To Know. “Horizons Into Battlegrounds” is the third of three radically divergent sonic offerings heralding the arrival of S16: First single and epic video “Goliath” materialized in April, its monolithic groove serving as a vessel for questions regarding individual and collective responsibility for the state of the world.
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Set on a sparse circular stage, the performance featured Woodkid surrounded by an orchestra for a spellbinding rendition of the new album’s “Horizons Into Battlegrounds,” bringing to life, in his own words, “an intimate, stripped-back track with a cry for help within the lyrics – it’s a tender loving embrace, a moment of calm amongst the chaos.” network television debut on the Wednesday, October 14 episode of Jimmy Kimmel Live!. Now to finish Beautiful Redemption with the perfect soundtrack…ĭownload Run Boy Run, The Golden Age and the Iron EP.Woodkid has at long last ended the excruciating wait for the follow-up to his GRAMMY-nominated 2013 debut The Golden Age: S16, Woodkid’s sophomore album is out today, October 16, via Caroline Records in the U.S.īarely 48 hours prior to the release of S16, Woodkid made his U.S. If it’s not you can always email me and have a go. If you spend your extra cash on one thing this pay day, spend it on Woodkid, it will most definitely be worth your while. This is one person who I would genuinely love to meet (fan girl-ing already). I genuinely have’t been this excited about a piece of new music since my Jamie Woon and James Blake obsession a couple of years ago.
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This is someone that I would love to see live, since having heard ‘Run Boy Run’ I have downloaded his album and EP, listening to them non-stop.
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I could definitely see Woodkid being booked for a venue such as The Royal Albert Hall with full orchestra and musical theatrics.
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Lemoine’s video work has definitely aided his music making, making it a full scale, epic, hollywood blockbuster in a 3 minute audio frame. Fabulous textures and an instrumental world that literally transports you somewhere else. This has been the best Single of the Week since we started here at That’s What She Heard.
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Then just as you’re getting into it the track switches up again introducing amazing orchestral brass and strings that makes you think of epic movie soundtracks, war zones, lost loves and emotions running sky high.īy the time we reach the instrumental break that finishes the track I was so caught up in this imagined emotional world that it brought tears to my eyes (it doesn’t help that I’m currently reading Beautiful Redemption which this track fits brilliantly with). Forget about love at first sight, this most definitely was love at first listen: A cross between Morrissey and Anthony and the Johnsons, his voice is velvety smooth, with his French accent giving his vocal tonality that exotic hint that makes it stand out from all the British and American acts of today.īetween these vocal feather beds we get intense snare percussion, that sounds almost gun like in nature, and keeps that intensity going.
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‘Run Boy Run’ opens with an ominous bell toll, that echoes and reverberates in a way that makes you think of ghost stories, horror movies, death and (because of the title of the track) being chased by a murderer! The track quickly switches from this into the opening vocals layered over a heavy, tense texture of percussion: everything from hand claps, snare drums and sounds that would place you firmly in an Iron Mill.Īs for Lemoine’s vocals: they are exquisite. Woodkid – Run Boy Run (Official Video HD) from WOODKID on Vimeo.